While Mirusia initially gained international recognition alongside the ‘King of Waltz’ André Rieu, it’s worth noting her classical training; in fact, she holds the distinction of being the youngest artist to win the Dame Joan Sutherland Opera Award.
Her previous albums have predominantly focused on crossover repertoire, but with “Classique,” Mirusia unveils her very first classical album She takes on beloved favorites such as “O Mio Babbino Caro,” “Ave Maria,” and “Lascia chi’io pianga,” but doesn’t stop there. Mirusia tackles truly difficult repertoire such as “Caro Nome,” “Ah! Je veux vivre,” and “Porgi Amor,” demonstrating her versatility, and depth as a vocalist.
Mirusia’s voice seems to soar and float with enviable lightness. She also has a notable clarity of diction. Also worth highlighting are her duets with Lee Abrahmsen and Emma Kavanagh, which are simply lovely and well balanced. The album ends with the positively delightful “Il Bacio” that allows Mirusia to show off her coloratura.
“Classique” not only showcases Mirusia’s exceptional talent but also allows her to introduce beloved opera repertoire to her crossover fanbase, bridging the worlds of classical and contemporary music with finesse.
